I love the old hymns. I grew up singing them, and I wish there were more opportunities for singing them in our modern world. Nevertheless, it’s no surprise that some of them are chock full of bad theology (at least I hope it’s no surprise; you can’t throw a rock without hitting a Christmas hymn that takes all sorts of liberties with the biblical narratives of Jesus’ birth).
But in light of our discussion Monday about the way in which N.T. Wright (and others) have urged a reshaping of our eschatological consciousness from seeking to escape this world to instead seeking to restore it, I couldn’t help think of the following contrast between the 1929 hymn “I’ll Fly Away,” one of the most popular spirituals of all time, and the much more recent, decidedly unhymnlike “Afterlife,” by the modern rock band Switchfoot.